This partly 24-karat gold plated sculpture is sitting on a copper lotus base and is made by the process of the Lost-Wax system
The lost-wax process, also known as investment casting, is a time-honoured technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture.
Amitayus is presented in a rich, regal style wearing an intricate five-pointed crown (tiara), heavy earrings, necklaces, and a sacred thread flowing down to his torso. The face is painted with pure gold pigment, giving him an expression of deep, serene composure.
Mercury gold plating involves the application of a genuine layer of gold onto the sculpture.
The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence
Amitayus, the Buddha of Infinite Life or Boundless Longevity, sits in the full lotus position with his hands resting quietly on his lap in the dhyana mudra (meditation gesture). Between his palms, he cradles a sacred vase filled with the ambrosia of immortality and topped with a tiny tree of life.
Amitayus is primary invoked in rituals associated with extending life, generating healing energy, and gaining spiritual wisdom.
Total weight of 1,5 kg
20th century Himalayan sacred art